Online research in philosophy

According to one influential conception of morality, being moral is a matter of acting from or in accordance with a moral point of view, a point of view which is arrived at by abstracting from a more natural, pre-ethical, personal point of view, and recognizing that each person''s personal point of view has equal standing. The idea that, were it not for morality, rational persons would act from their respectively personal points of view is, however, simplistic and misleading. Because our nonmoral reasons cannot all be adequately captured as falling within any single, unified and coherent point of view, morality cannot be adequately understood as a matter of abstracting from such points of view and taking them all equally into account. After considering several ways of modifying the initial conception of morality in a way that accommodates the variety of nonmoral reasons that do not have their source in a personal point of view, the paper concludes with the suggestion that we free ourselves more thoroughly from the grip of the metaphor that takes morality as a whole to be a matter of acting in accordance with the judgments of a single unified and coherent point of view.

The cognitive function of mental images with respect to the referential aspect of language is examined and used in the listener model ANTLIMA of the natural language system SOCCER. An operational realization of the reference relation used to recognize instances of spatial concepts in the results of a vision system and also to visualize locative expressions is presented and compared to A. Herskovits' analysis of the semantics of spatial prepositions.

In studying what people do two points of view can be distinguished: We can choose the perspective of the actors themselves (the actor’s perspective), or we can look at what is going on from the outside, from a distance (the researcher’s perspective). Regarding the relation between both points of view three standpoints have been defended.

The search for a unified and coherent feminine aesthetic theory could not be successful because it relies upon "universals" which do not exist and assumes simple parallels among psychological, social and aesthetic structures. However, with an apparatus of narrative points of view, one can demonstrate that individual narrative texts are organized from a feminine point of view. To this extent, the intuition that there is a feminine aesthetic can be vindicated.

As the expression itself indicates, ‘point of view’ is in the first place applied to spatial locations for visual observation. I can see a certain group of objects from different positions, or points of view. When seen from certain points, a particular object in the group is hidden behind others, from other points it isn’t. It is still the same group of objects, so in one sense I see the same thing. In another sense, I don’t see the same thing, for I see different parts, sides or aspects of that same group of objects. My visual impression is different as well, unless perfect symmetry of the group makes the difference in perspective phenomenologically unnoticeable.

The semantics of directional prepositions is investigated from the perspective of aspect. What distinguishes telic PPs (like to the house) from atelic PPs (like towards the house), taken as denoting sets of paths, is their algebraic structure: atelic PPs are cumulative, closed under the operation of concatenation, telic PPs are not. Not only does this allow for a natural and compositional account of how PPs contribute to the aspect of a sentence, but it also guides our understanding of the lexical semantics of prepositions in important ways. Semantically, prepositions turn out to be quite similar to nouns and verbs. Nominal distinctions (like singular and plural, mass and count) and verbal classes (like semelfactives and degree achievements) have their prepositional counterparts.

This short paper serves as an introduction to a debate between representatives of two fundamentally different points of view regarding the nature of scientific inference. Colin Howson and Peter Urbach represent a Bayesian point of view and Deborah Mayo represents a version of classical statistics called error statistics. The paper begins by reviewing earlier versions of the same two points of view due to Rudolf Carnap and Hans Reichenbach, respectively. After a few remarks about philosophical approaches to understanding scientific reasoning between 1960 and 1980, I turn to substantive differences between the two approaches.

This piece continues the story line of “Where Am I?” by Dan Dennett. I am inclined to locate myself at the location of my point of view. In my fantasy stories, points of view can be far away from a brain inside a flesh-and-blood body. Points of view can also move discontinuously from one location to another.