Graduate studies at Western
British Journal of Aesthetics 25 (4):317-325 (1985)
|Abstract||This paper analyzes the kantian aspects of greenberg's theory of modernism. It is argued first that the distinctiveness of greenberg's theory lies not in a kantian-Style aesthetic formalism, But rather in an intellectualist notion of aesthetic value which greenberg associates with a kantian-Style self-Critical method. It is then argued that greenberg's use of this kantian notion of self-Criticism in order to explain the development of modernist painting, Leads him into insuperable problems|
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|Through your library||Configure|
Similar books and articles
Robert Greenberg (1994). The Content of Kant's Logical Functions of Judgment. History of Philosophy Quarterly 11 (4):375 - 392.
Stephen Melville (1998). Review: Kant After Greenberg. [REVIEW] Journal of Aesthetics and Art Criticism 56 (1):67 - 74.
Roger Foster (2007). Adorno and Heidegger on Language and the Inexpressible. Continental Philosophy Review 40 (2):187-204.
Robert Greenberg (1996). Perception and Kant's Categories. History of Philosophy Quarterly 13 (3):345 - 361.
Nigel Wentworth (2004). The Phenomenology of Painting. Cambridge University Press.
Robert Greenberg (2001). Kant's Theory of a Priori Knowledge. Pennsylvania State University Press.
Henry Staten (2002). Clement Greenberg, Radical Painting, and the Logic of Modernism. Angelaki 7 (1):73 – 89.
Paul Crowther (1984). Kant and Greenberg's Varieties of Aesthetic Formalism. Journal of Aesthetics and Art Criticism 42 (4):442-445.
Robert W. Witkin (1997). Constructing a Sociology for an Icon of Aesthetic Modernity: Olympia Revisited. Sociological Theory 15 (2):101-125.
Bram Ieven (2011). Deleuze Modernist. Deleuze Studies 5 (1):84-96.
Added to index2009-01-28
Total downloads45 ( #29,033 of 739,461 )
Recent downloads (6 months)4 ( #20,615 of 739,461 )
How can I increase my downloads?