Online research in philosophy

In one of the essays in his recent book on Christianity, La déclosion (2005), Nancy discusses the relationship between Judaism and Christianity. Nancy opens this discussion with a reference to Lyotard's book on this relationship: Un trait d' union (1993). Both Lyotard and Nancy examine a very early figure in the emergence of Christianity from Judaism—whereas Lyotard focuses on the epistles of Paul, Nancy reads the epistle of James. Lyotard concludes that the hyphen in the expression 'Judeo-Christian' actually conceals 'the most impenetrable abyss within Western thought'. With this abyss, Lyotard refers to the point of departure of Judaism: the event in which a Voice has left behind letters, inaugurating an interminable work of interpretation. For Nancy, however, it is rather Christianity, and therefore, Western culture, which is deconstructive in nature. Its composition is co-original with a decomposition, and therefore, with an openness. In James, Nancy finds an emphasis on praxis, in such a way that existence is to be understood as transcendent within itself. With this reading of James, Nancy seems to deny that there is a fundamental difference between Judaism and Christianity. In order to clarify the differences between Lyotard and Nancy, it is shown that, in Lyotard's view, an unsublatable alterity comes with aisthèsis, whereas in Nancy's view, alterity comes with existence as such.

Jean-François Lyotard, the highly influential twentieth-century philosopher of the postmodern, has had an enormous impact on the course and commitment of contemporary philosophy. Lyotard: Philosophy, Politics, and the Sublime is a thoroughgoing reassessment of his extraordinary legacy and contribution to contemporary cultural, political, ethical, and aesthetic theory, and an indispenable guide to key issues in his philosophy. Fifteen distinguished scholars have contributed new, original essays examining the main themes in Lyotard's work with a focus on the special intersections of philosophy, psychoanalysis, politics, and the experience of the sublime in art. The volume includes an up-to-date bibliography of works by and about Lyotard, previously unpublished photographs of Lyotard, and an incisive essay by Lyotard himself on the philosophical significance of Freud's case of Emma.

The systematic philosophical foundation for Jean-François Lyotard's postmodern and post-Marxist politics is described. The central principle of the right to create different "phrases" is uncovered and examined. The political consequences of this philosophical system are explored, leading to the conclusion that Lyotard's commitment to difference leads to political indifference. The philosophical roots of this indifference are detailed in Lyotard's Cartesian starting point and his analysis of Holocaust revisionism. This analysis reveals an idealist basis to Lyotard's philosophy of difference. Lyotard's concept of difference is compared to that of Ernesto Laclau and Chantal Mouffe.

Recently, James Smith and Merold Westphal have sought to reconcile Christianity with Lyotard’s definition of the postmodern – “incredulitytowards metanarratives” – by claiming that Christianity is not a metanarrative in Lyotard’s sense. This paper argues that their understanding of theLyotardian metanarrative is too restrictive, and that the term specifically includes Christianity within its scope. Despite this, though, there is a meansby which Christianity and Lyotard can be brought closer together. That method is to understand Lyotard’s refusal of metanarratives as being tosome extent provisional. Combining this idea with Lyotard’s notion of the differend allows Christianity and Lyotardian postmodernism to be found, ifnot in agreement, at least to coexist.

In this article, I explore the relationship between the philosophy of Theodor Adorno and the Bilderverbot , or biblical Second Commandment against images. My starting point is J. F. Lyotard's construction of the melancholic sublime in his essay `What is the Postmodern?', which I argue he uses to critique Adorno's aesthetics, and, more generally, his position as a `modern' thinker. To prove that Lyotard had Adorno in mind when he constructed the category of the melancholic sublime, I return to an earlier piece by Lyotard — `Adorno as the Devil' — which is a reading of Thomas Mann's Dr Faustus , in which Adorno is said to be one of the faces of the Devil. My argument is that Lyotard's understanding of Adorno is flawed because he does not recognize the distinctly Jewish, albeit secularized, character of his thought. I set out to challenge Lyotard by demonstrating the central importance that the Bilderverbot plays in Adorno's work, which should not be understood as melancholic because the Jewish Messianism associated with the Bilderverbot is profoundly future-oriented. In short, I argue that Lyotard's depiction of Adorno is flawed because he reads him as a Christian, while he should be approaching him as a secularized Jew. Key Words: Theodor Adorno • aesthetic theory • Dr Faustus • the image prohibition • Jewish thought • Jean-François Lyotard • Thomas Mann • Messianism • representation • the sublime.

Jean-François Lyotard. First acquaintance with Lyotard -- Kant's notion of the sublime and its appropriation by Lyotard -- Transposing Kant to the key of the postmodern -- The role of feelings in Lyotard's political judgment -- Universality revisited -- Jacques Derrida. The Nietzschean influence -- Derrida and phenomenology -- Derrida's exploration of exteriority and anteriority -- Derrida's political ethics : foundations -- Derrida's political ethics : further elaborations : the international scene.

Lyotard and the Political is the first book to consider the full range of the French philosopher Francois Lyotard's political thought and its broader implications. Author James Williams clearly and carefully traces the development of Lyotard's thought from his early Marxist essays on the Algerian struggle for independence to his break with the thought of Marx and Freud. This book explains why Lyotard lost his belief in revolutionary politics and seeks to draw out the positive and negative consequences of this loss. Encompassing all of Lyotard's thought, early and late, the book situates his work in terms of the dominant political and philosophical positions of the twentieth century.Williams clearly explains the relationship between Lyotard's thought and the thought of Kant, Heidegger, and Deleuze.

Best known for his book The Postmodern Condition , Jean-Francois Lyotard is one of the leading figures in contemporary French philosophy. This is the first collection of articles to offer an estimation and critique of his work, with particular focus on the importance to Lyotard of the question of judgement. Lyotard's interest in judgement is evident in his continuing engagement with the work of Kant. Lyotard's own essay, Sensus Communis , which opens the volume, investigates through Kant the presuppositions of judgement. Other essays consider how Lyotard has rendered problematic existing forms of aesthetic, ethical, legal and political judgement. Judging Lyotard is an important collection that will reintroduce Lyotard to English-speaking audiences. It is of particular interest to students of philosophy, critical theory, and literary studies.

In this original study, Keith Crome argues for the importance of Lyotard's analysis of sophistry. In the first section, the author examines the accounts of sophistry given in the works of Plato, Hegel and Heidegger. Sensitive to the important differences between them Keith Crome nevertheless establishes their fundamental identity. In the second section, the book shows the radicality of Lyotard's analysis in contrast to such traditional views. It examines Lyotard's complex and original readings of sophistical arguments, and offers a new interpretation of The Differend.