Online research in philosophy

In this paper I challenge the widely held view which associates Hume’s philosophy with mechanical philosophies of nature and particularly with Newton. This view presents Hume’s account of the human mind as passive receiver of impressions which bring into motion, from the outside, a mental machinery whose functioning is described in terms of mechanical causal principles. Instead, I propose an interpretation which suggests that for Hume the human mind is composed of faculties that can be characterized by their active contribution which frequently results in qualitative change. This anatomy of the mind is explored from a physiological perspective focused on the normal functioning and interaction of the mind’s various organs. While pursuing this enterprise, I suggest that Hume’s outlook is closer to eighteenth-century “philosophical chemistry” and vitalistic physiology than to the heritage of mechanical philosophies.

Here's an old question in the philosophy of perception: here I am, looking at this pen [I hold up a pen in my hand]. Presumably I really am seeing this pen. Even so, I could be having an experience just like the one I am having without anything being there. So how can the experience I am having really involve direct awareness of the pen? It seems as though the presence of the pen is inessential to the way the experience is.

In the beginning: introduction -- This I believe: preview -- This they believe: other views -- Where it begins: anatomy and environment -- Where it began: evolution -- What is it?: consciousness -- There was the word: self-consciousness and language -- See here: attention -- Perhaps to dream: sleep -- x=2y: representation -- The dance of life: movement -- They all fall down: dissolution of function -- Been there, done that: experience -- Which have eyes and see not: stimulus hierarchy -- Buy one, get one free: volition -- Play it again: speculative reprise -- In the end: conclusion.

In his concept of an anthropological physiology, F.J.J. Buytendijk has tried to lay down the theoretical and scientific foundations for an anthropologically-oriented medicine. The aim of anthropological physiology is to demonstrate, empirically, what being specifically human is in the most elementary physiological functions. This article contains a sketch of Buytendijk''s life and work, an overview of his philosophical-anthropological presuppositions, an outline of his idea of an anthropological physiology and medicine, and a discussion of some episternological and methodological problems. It is demonstrated that Buytendijk''s design of an anthropological physiology is fragmentary and programmatic and that his methodology offers few points of contact for specific anthropological experimental research.Notwithstanding, it is argued that Buytendijk''s description of the subjective, animated body forms a pre-eminent point of reference for all research in physiology and psychology in which the specific human aspect is not ignored beforehand.

Following the exploration of the disciplinary identity of physiology before 1800 in the previous paper of this pair, the present paper seeks to recover the complementary identity of the discipline of anatomy before 1800. The manual, artisanal character of anatomy is explored via some of its practitioners, with special attention being given to William Harvey and Albrecht von Haller. Attention is particularly drawn to the important role of experiment in anatomical research and practice-which has been misread by historians as physiological experiment. Although scientific status was claimed by some practitioners for the discipline, the knife remained the tool of the discipline. Finally the differences between the teleological assumptions underlying anatomy, and the 'argument from design' or natural theology are explored.