David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Cambridge University Press (1995)
This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion over the last twenty years. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is presented, which insists on the realism of pictures and the impossibility of assimilating them to language. It criticises attempts to explain the psychology of film viewing in terms of the viewer's imaginary occupation of a position within the world of film. On the contrary, film viewing is nearly always impersonal.
|Keywords||Motion pictures Philosophy|
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|Call number||PN1995.C795 1995|
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Dustin Stokes (2009). Aesthetics and Cognitive Science. Philosophy Compass 4 (5):715-733.
Diarmuid Costello & Dawn M. Phillips (2009). Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography. Philosophy Compass 4 (1):1-21.
Robert Hopkins (2012). Factive Pictorial Experience: What's Special About Photographs? Noûs 46 (4):709-731.
Ben Blumson (2010). Pictures, Perspective and Possibility. Philosophical Studies 149 (2):135 - 151.
Derek Matravers (2010). Why We Should Give Up on the Imagination. Midwest Studies in Philosophy 34 (1):190-199.
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