Image and Mind: Film, Philosophy and Cognitive Science
Cambridge University Press (1995)
| Abstract | This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion over the last twenty years. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is presented, which insists on the realism of pictures and the impossibility of assimilating them to language. It criticises attempts to explain the psychology of film viewing in terms of the viewer's imaginary occupation of a position within the world of film. On the contrary, film viewing is nearly always impersonal. | |||||||||
| Keywords | Motion pictures Philosophy | |||||||||
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| Buy the book | $33.30 used (25% off) $33.61 new (24% off) $39.60 direct from Amazon (10% off) Amazon page | |||||||||
| Call number | PN1995.C795 1995 | |||||||||
| ISBN(s) | 0521057787 | |||||||||
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Christine Etherington-Wright (2011). Understanding Film Theory: Theoretical and Critical Perspectives. Palgrave Macmillan.
Elspeth Kydd (2011). The Critical Practice of Film: An Introduction. Palgrave Macmillan.
Richard Allen & Murray Smith (eds.) (1997). Film Theory and Philosophy. Oxford University Press.
Trevor Whittock (1990). Metaphor and Film. Cambridge University Press.
Gaston Roberge (1992). The Ways of Film Studies: Film Theory & the Interpretation of Films. Ajanta Publications.
Andrew Kania (2002). The Illusion of Realism in Film. British Journal of Aesthetics 42 (3):243-258.
I. C. Jarvie (1987). Philosophy of the Film: Epistemology, Ontology, Aesthetics. Routledge & Kegan Paul.
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