The Idea of Absolute Music
University of Chicago Press (1989)
| Abstract | With a characteristically broad and provocative treatment, Dahlhaus examines a single music-aesthetical idea from various historical and philosophical viewpoints. "Essential reading for anyone interested in the larger intellectual framework in which Romantic music found its place, a framework that to a remarkable degree has continued to shape our image of music."--Robert P. Morgan, Yale University Carl Dahlhaus (1928-1989) is the author of a highly influential body of works on the foundations of music history and aesthetics. | |||||||||
| Keywords | Absolute music Music Philosophy and aesthetics Music History and criticism | |||||||||
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| Buy the book | $15.51 new (23% off) $19.00 direct from Amazon (5% off) Amazon page | |||||||||
| Call number | ML3854.D3413 1989 | |||||||||
| ISBN(s) | 0226134865 0226134873 9780226134871 | |||||||||
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| Through your library | Configure |
Christopher Norris (ed.) (1989). Music and the Politics of Culture. St. Martin's Press.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Arved Mark Ashby (2010). Absolute Music, Mechanical Reproduction. University of California Press.
Carl Dahlhaus (1982). Esthetics of Music. Cambridge University Press.
Daniel K. L. Chua (1999). Absolute Music and the Construction of Meaning. Cambridge University Press.
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