David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Journal of Aesthetic Education 41 (3):89-110 (2007)
: This paper represents the authors' attempt to provide a useful framework for discussing and investigating the links between the apparently disparate disciplines of neuroscience and dance. This attempt arose from an interdisciplinary course offering on this topic. A clear need apparent in preparing for an exploration of such uncharted territory was for some definition of the relevant landmarks in the form of a conceptual framework. The current status of that developing framework is presented here, as we consider the historical context that contributed to the cultural distance between neuroscience and dance as disciplines; the conceptual and technical obstacles to collaborative work between these disciplines; and the recent developments, both conceptual and technological, that make the interface between neuroscience and dance a particularly fruitful source of inspiration not only for dancers and neuroscientists but potentially for a wide variety of disciplines touching on health and education in general
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Pete Mandik & Andrew Brook (2007). The Philosophy and Neuroscience Movement. Analyze and Kritik 26 (1):3-23.
Barbara Montero (2012). Practice Makes Perfect: The Effect of Dance Training on the Aesthetic Judge. [REVIEW] Phenomenology and the Cognitive Sciences 11 (1):59-68.
Jonathan Owen Clark (2012). Dance and Subtraction: Notes on Alain Badiou's Inaesthetics. Dance Research Journal 42 (03):50-64.
Alwin Nikolais (2005). The Nikolais/Louis Dance Technique: A Philosophy and Method of Modern Dance. Routledge.
Corinne Jola, Shantel Ehrenberg & Dee Reynolds (2012). The Experience of Watching Dance: Phenomenological–Neuroscience Duets. [REVIEW] Phenomenology and the Cognitive Sciences 11 (1):17-37.
Betty Block & Judith Lee Kissell (2001). The Dance: Essence of Embodiment. Theoretical Medicine and Bioethics 22 (1):5-15.
N. S. Thompson & Jaan Valsiner (2002). Doesn't a Dance Require Dancers? Behavioral and Brain Sciences 25 (5):641-642.
Emily Cross & Luca Ticini (2012). Neuroaesthetics and Beyond: New Horizons in Applying the Science of the Brain to the Art of Dance. [REVIEW] Phenomenology and the Cognitive Sciences 11 (1):5-16.
Added to index2009-01-28
Total downloads35 ( #60,410 of 1,693,213 )
Recent downloads (6 months)2 ( #121,613 of 1,693,213 )
How can I increase my downloads?