David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
British Journal of Aesthetics 50 (4):469-479 (2010)
This paper provides a reading of the opera criticism of Bernard Williams in the light of his philosophical writings. Beginning with the observations that his philosophical writing lacks engagement with musical and aesthetic issues, and his operatic writing appears to present no particular philosophy of the subject, I try to draw together certain themes by mapping Williams's operatic concerns onto his philosophical project more generally. I argue that the 'excessive' nature of the artform—the idea that opera tends to exceed its musico-dramatic functions—was of particular interest to Williams, partly because it resonated with his dislike of easy theoretical solutions to thorny practical issues. More specifically, Mozart's Cosi fan tutte is related, via the way the way its emotional register exceeds its dramatic context, to the issues examined by Williams in his work on moral luck. Similarly, I discuss the way Williams's essay on Debussy's Pelléas et Mélisande seems to hint at an account of the emotions which is otherwise missing from Williams's oeuvre
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Bernard Arthur Owen Williams (1995). Making Sense of Humanity and Other Philosophical Papers, 1982-1993. Cambridge University Press.
Mark A. Tietjen (2012). Antitheory and Edification: Williams and Kierkegaard on Some Possibilities for Philosophy. International Philosophical Quarterly 52 (4):471-486.
Bernard Arthur Owen Williams (1972/2012). Morality: An Introduction to Ethics. New York,Harper & Row.
Ulrike Heuer & Gerald Lang (eds.) (2012). Luck, Value, and Commitment: Themes From the Ethics of Bernard Williams. Oxford University Press, USA.
John Tillson (2013). Is Knowledge What It Claims to Be? Bernard Williams and the Absolute Conception. Educational Philosophy and Theory 45 (8):860-873.
Downing A. Thomas (2002). Aesthetics of Opera in the Ancien Régime, 1647-1785. Cambridge University Press.
Frances Ferguson (2008). Bernard Williams and the Importance of Being Literarily Earnest. In Daniel Callcut (ed.), Reading Bernard Williams. Routledge.
Martha Nussbaum (2008). Bernard Williams : Tragedies, Hope, Justice. In Daniel Callcut (ed.), Reading Bernard Williams. Routledge.
J. E. J. Altham & Ross Harrison (eds.) (1995). World, Mind, and Ethics: Essays on the Ethical Philosophy of Bernard Williams. Cambridge University Press.
H. A. Bedau (1985). The Limits of Utilitarianism and Beyond:Utilitarianism and Beyond. Amartya Sen, Bernard Williams; The Limits of Utilitarianism. Harlan B. Miller, William H. Williams. [REVIEW] Ethics 95 (2):333-.
Alex Bavister‐Gould (2013). Bernard Williams: Political Realism and the Limits of Legitimacy. European Journal of Philosophy 21 (4):593-610.
Bernard Williams (2000). Philosophy as a Humanistic Discipline. 75 (4):477-496.
Nader Shoaibi (2010). In Defense of Kantian Moral Theory. California Undergraduate Philosophy Review 3 (1).
Bernard Williams (2002). Truth and Truthfulness: An Essay in Genealogy. Princeton, New Jersey: Princeton University Press.
Added to index2010-10-07
Total downloads17 ( #96,207 of 1,099,003 )
Recent downloads (6 months)7 ( #33,832 of 1,099,003 )
How can I increase my downloads?