Jan Mukařovský's Concept of the Work of Art as Sign
Semiotics:140-148 (forthcoming)
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Jan Mukařovský (1977/1978). Structure, Sign, and Function: Selected Essays. Yale University Press.
Freddy Decreus (1986). La Notion de "Valeur Esthétique" Dans l'Esthétique Structurale de Jan Mukarovsky. Application au Poème 56 de Catulle. Philosophica 38.
Vladimír Macura & Herta Schmid (eds.) (1999). Jan Mukařovský and the Prague School. Ústav Pro Českou Literaturu Av Čr.
Christy Mag Uidhir & P. D. Magnus (2011). Art Concept Pluralism. Metaphilosophy 42 (1-2):83-97.
Mohan Matthen (2011). Art, Sexual Selection, Group Selection (Critical Notice of Denis Dutton, The Art Instinct). Canadian Journal of Philosophy 41 (2):337-356.
Richard Shusterman (2003). Entertainment: A Question for Aesthetics. British Journal of Aesthetics 43 (3):289-307.
Csaba Olay (2008). Gadamers Hermeneutische Kunstauffassung. Estetika 45 (2).
Ludovic De Cuypere & Klaas Willems (forthcoming). Meaning and Reference in Aristotle's Concept of the Linguistic Sign. Foundations of Science.
Jan Zygmunt (1981). The Logical Investigations of Jan Kalicki. History and Philosophy of Logic 2 (1-2):41-53.
Berys Gaut (2005). The Cluster Account of Art Defended. British Journal of Aesthetics 45 (3):273-288.
Annelies Monseré (2012). Non-Western Art and the Concept of Art: Can Cluster Theories of Art Account for the Universality of Art? Estetika 49 (2):148-165.
Jan W. F. Mulder (1972). Theory of the Linguistic Sign. The Hague,Mouton.
Donald Kuspit (1995). Art and Capital: An Ironic Dialectic. Critical Review 9 (4):465-482.
Sissel Redse Jørgensen & Rani Lill Anjum (eds.) (2006). Tegn Som Språk. Gyldendal Akademisk.
Nicolas de Warren (2007). Off the Beaten Path. Environmental Philosophy 4 (1/2):29-48.
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