David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Columbia University Press (1986)
In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of Art_ continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians
|Keywords||Aesthetics Art Philosophy|
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|Call number||BH39.D35 1986|
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Citations of this work BETA
Kendall L. Walton (1993). Metaphor and Prop Oriented Make-Believe. European Journal of Philosophy 1 (1):39--57.
Noël Carroll (2000). Art and Ethical Criticism: An Overview of Recent Directions of Research. Ethics 110 (2):350-387.
Joseph Raz (1996). Why Interpret? Ratio Juris 9 (4):349-363.
David Graves (1997). The Institutional Theory of Art: A Survey. Philosophia 25 (1-4):51-67.
Anthony Curtis Adler (2007). The Practical Absolute: Fichte's Hidden Poetics. [REVIEW] Continental Philosophy Review 40 (4):407-433.
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Kathleen Kadon Desmond (2011). Ideas About Art. Wiley-Blackwell.
Andreas Speer (2000). Beyond Art and Beauty: In Search of the Object of Philosophical Aesthetics. International Journal of Philosophical Studies 8 (1):73 – 88.
Lars Aagaard-Mogensen (ed.) (1976). Culture and Art: An Anthology. Humanities Press.
Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
Jane Forsey (2001). Philosophical Disenfranchisement in Danto's "the End of Art". Journal of Aesthetics and Art Criticism 59 (4):403–409.
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