Collingwood's ‘performance’ theory of art
British Journal of Aesthetics 48 (2):162-174 (2008)
| Abstract | Even if we reject the Wollheimian reading of Collingwood as an Idealist in the ontology of art, it remains puzzling how his non-Idealist ontology fits with his idea of art as expression. In trying to clarifying these matters, I argue that (i) the work of art, for Collingwood, is an activity, not the product of an activity; (ii) puzzling features of the Principles arise from attempts to reconcile this claim with the idea of art as expression while preserving the art/craft distinction; and (iii) Collingwood's principal concern in the Principles is with the role of imagination in experience. CiteULike Connotea Del.icio.us What's this? | |||||||||
| Keywords | Collingwood Aesthetics | |||||||||
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Douglas R. Anderson & Carl R. Hausman (1992). The Role of Aesthetic Emotion in R. G. Collingwood's Conception of Creative Activity. Journal of Aesthetics and Art Criticism 50 (4):299-305.
Aaron Ridley (2002). Congratulations, It's a Tragedy: Collingwood's Remarks on Genre. British Journal of Aesthetics 42 (1):52-63.
Aaron Ridley (1997). Not Ideal: Collingwood's Expression Theory. Journal of Aesthetics and Art Criticism 55 (3):263-272.
Douglas R. Anderson (1990). Artistic Control in Collingwood's Theory of Art. Journal of Aesthetics and Art Criticism 48 (1):53-59.
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John Hospers (1971). Artistic Expression. New York,Appleton-Century-Crofts.
E. J. Main (1988). Art as Imagination. The Development of R. G. Collingwood's Theory of Art. DiaLogos 23:123-137.
José Juan González (2010). A Philosophy of Art in Plato's Republic: An Analysis of Collingwood's Proposal. Proceeding of the European Society for Aesthetics 2.
R. Kavanath (1991). Collingwood, Aesthetics and a Theory of Craft. International Studies in Philosophy 23 (3):13-26.
R. G. Collingwood (1925). Plato's Philosophy of Art. Mind 34 (134):154-172.
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