Canadian Journal of Philosophy 40 (2):315-332 (2010)
|Abstract||In Functional Beauty, Glenn Parsons and Allen Carlson defend the importance of Functional Beauty—that is, the view that an item's fitness (or otherwise) for its proper function is a source of positive (or negative) aesthetic value—within a unified comprehensive aesthetic theory that encompasses art, the everyday, animals and organic nature, natural environments and inorganic nature, and artifacts. In the following section, I outline the main lines of argument presented in the book. I then criticize some of these arguments. I do so, however, from the perspective of someone who shares the authors' commitment to the importance of Functional Beauty and their dismay at its neglect in contemporary aesthetic theory. ..|
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