Musical ontology. Sounds, instruments and works of music / Julian Dodd ; Doing justice to musical works / Michael Morris ; Versions of musical works and literary translations
Graduate studies at Western
In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press (2007)
|Abstract||This article has no associated abstract. (fix it)|
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|External links||This entry has no external links. Add one.|
|Through your library||Configure|
Similar books and articles
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Stephen Davies (2006). Performance Interpretations of Musical Works. Nordic Journal of Aesthetics 18 (33-34).
Julian Dodd (2008). Musical Works: Ontology and Meta-Ontology. Philosophy Compass 3 (6):1113-1134.
Stephen Davies (2008). Musical Works and Orchestral Colour. British Journal of Aesthetics 48 (4):363-375.
Saam Trivedi (2002). Against Musical Works as Eternal Types. British Journal of Aesthetics 42 (1):73-82.
Julian Dodd (2004). Types, Continuants, and the Ontology of Music. British Journal of Aesthetics 44 (4):342-360.
Saam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
Sorry, there are not enough data points to plot this chart.
Added to index2010-07-29
Recent downloads (6 months)0
How can I increase my downloads?