David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Oxford University Press (2001)
What are musical works? Are they discovered or created? Can recordings substitute faithfully for live performances? This book considers these and other intriguing questions. It first outlines the nature of musical works, their relation to performances, and their notational specification; it then considers authenticity in performance, musical traditions, and recordings. Comprehensive and original, the volume discusses many kinds of music, applying its conclusions to issues as diverse as the authentic performance movement, the cultural integrity of ethnic music, and the implications of the dominance of recorded over live music.
|Keywords||Music Performance Music Philosophy and aesthetics|
|Categories||categorize this paper)|
|Buy the book||$22.00 used (64% off) $44.51 new (26% off) $48.52 direct from Amazon (20% off) Amazon page|
|Call number||ML457.D38 2001|
|ISBN(s)||0199274118 9780199241583 0199241589 9780199274116|
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Citations of this work BETA
Guy Rohrbaugh (2003). Artworks as Historical Individuals. European Journal of Philosophy 11 (2):177–205.
Julian Dodd (2008). Musical Works: Ontology and Meta-Ontology. Philosophy Compass 3 (6):1113-1134.
Aili Bresnahan (2015). Improvisation in the Arts. Philosophy Compass 10 (9):573-582.
James Young (2011). The Ontology of Musical Works: A Philosophical Pseudo-Problem. Frontiers of Philosophy in China 6 (2):284-297.
Nicolas J. Bullot & Paul Égré (2009). Editorial: Objects and Sound Perception. [REVIEW] Review of Philosophy and Psychology 1 (1):5-17.
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