Philosophy of the Performing Arts
Wiley-Blackwell (2011)
| Abstract | This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts. | |||||||||
| Keywords | Performing arts Philosophy | |||||||||
| Categories | No categories specified (fix it) | |||||||||
| Buy the book | $27.32 used (27% off) $27.33 new (27% off) $30.01 direct from Amazon (19% off) Amazon page | |||||||||
| Call number | PN1584.D38 2011 | |||||||||
| ISBN(s) | 1405188030 9781405188029 1405188022 | |||||||||
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Laura Cull (2012). Theatres of Immanence: Deleuze and the Ethics of Performance. Palgrave Macmillan.
Paul Thom (1993). For an Audience: A Philosophy of the Performing Arts. Temple University Press.
David Davies (2009). Works and Performances in the Performing Arts. Philosophy Compass 4 (5):744-755.
John Dilworth (2002). Theater, Representation, Types and Interpretation. American Philosophical Quarterly 39 (2):197-209.
Christine Etherington-Wright (2011). Understanding Film Theory: Theoretical and Critical Perspectives. Palgrave Macmillan.
Meike Wagner & Wolf-Dieter Ernst (eds.) (2008). Performing the Matrix: Mediating Cultural Performance. Epodium Verlag.
Kingsley Price (1970). The Performing and the Non-Performing Arts. Journal of Aesthetics and Art Criticism 29 (1):53-62.
Iris Vidmar (2012). David Davies, Philosophy of the Performing Arts. Croatian Journal of Philosophy 12 (1):97-105.
Susan Broadhurst & Josephine Machon (eds.) (2012). Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan.
Elspeth Kydd (2011). The Critical Practice of Film: An Introduction. Palgrave Macmillan.
J. R. Hamilton (2012). The Performing Arts. British Journal of Aesthetics 52 (2):216-219.
Morse Peckham (1965). Man's Rage for Chaos. Philadelphia, Chilton Books.
James K. Feibleman (1970). On the Metaphysics of the Performing Arts. Journal of Aesthetics and Art Criticism 28 (3):295-299.
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