David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Oxford University Press (2003)
Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition.
|Keywords||Music Philosophy and aesthetics|
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|Buy the book||$24.98 used (62% off) $39.99 new (39% off) $65.00 direct from Amazon Amazon page|
|Call number||ML3800.D27 2003|
|ISBN(s)||0199280177 0199241570 9780199280179|
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Citations of this work BETA
Saam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
Julian Dodd (2015). Performing Works of Music Authentically. European Journal of Philosophy 23 (3):485-508.
Jesús Ilundáin-Agurruza (2015). Nothing New Under the Sun: Holism and the Pursuit of Excellence. Sport, Ethics and Philosophy 8 (3):230-257.
David J. Elliott (2005). Musical Understanding, Musical Works, and Emotional Expression: Implications for Education. Educational Philosophy and Theory 37 (1):93–103.
Paul Thom (2011). Aesthetics of Opera. Philosophy Compass 6 (9):575-584.
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