David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Deleuze Studies 5 (3):358-382 (2011)
In Cinema 1 Deleuze creates the taxonomy of the movement-image by extending Henri Bergson's account of the sensory-motor process in Matter and Memory through the semiotic system of Charles Sanders Peirce. Through this nexus of Bergson and Peirce, Deleuze can account for each image and sign, their impetus and their relationship to one another. In contrast, the taxonomy of the time-image, the focus of Cinema 2, is given no such genesis. Rather, the images and signs appear in situ, as if ready-made. This article proposes that the impetus for the taxonomy of the time-image lies in the account given of the three passive syntheses of time in Difference and Repetition, and that the nine aspects of the passive syntheses can be seen to correspond to the nine proper signs of the time-image
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
Gilles Deleuze (1994). Difference and Repetition. Athlone Press.
Gilles Deleuze & Felix Guattari (1991). What is Philosophy? Columbia University Press.
Gilles Deleuze & Constantin V. Boundas (2003). The Logic of Sense. Monograph Collection (Matt - Pseudo).
G. Deleuze (2000). The Logic of Sense. Filosoficky Casopis 48 (5):799-808.
Citations of this work BETA
No citations found.
Similar books and articles
Bernard Stiegler (2011). Technics and Time, 3: Cinematic Time and the Question of Malaise. Stanford University Press.
Joao Queiroz & Charbel Niño El-Hani (2006). Semiosis as an Emergent Process. Transactions of the Charles S. Peirce Society 42 (1):78-116.
Rafe McGregor (2012). Cinematic Realism Reconsidered. Polish Journal of Philosophy 6 (1):57-68.
Richard Rushton (2008). Passions and Actions: Deleuze's Cinematographic Cogito. Deleuze Studies 2 (2):121-139.
Simone Bignall (2008). Indigenous Peoples and a Deleuzian Theory of Practice. In Anna Hickey-Moody & Peta Malins (eds.), Deleuzian Encounters: Studies in Contemporary Social Issues. Palgrave Macmillan
Patricia Pisters (2011). Flashforward: The Future is Now. Deleuze Studies 5 (supplement):98-115.
Trevor Ponech (2006). External Realism About Cinematic Motion. British Journal of Aesthetics 46 (4):349-368.
Joseph S. Fulda (2013). The Logic of Failures of the Cinematic Imagination: Two Case Studies – and a Logical Puzzle and Solution in Just One. Pragmatics and Society 4 (1):105-111.
Gennaro Auletta (2005). Semiosis, Logic, and Language. Croatian Journal of Philosophy 5 (1):51-69.
Lorna Burns (2010). Becoming-Bertha: Virtual Difference and Repetition in Postcolonial 'Writing Back', a Deleuzian Reading of Jean Rhys's Wide Sargasso Sea. Deleuze Studies 4 (1):16-41.
Claus Emmeche (1999). The Biosemiotics of Emergent Properties in a Pluralist Ontology. In Edwina Taborsky (ed.), Semiosis. Evolution. Energy: Towards a Reconceptualization of the Sign. Shaker Verlag
Miguel de Beistegui (2005). The Vertigo of Immanence: Deleuze's Spinozism. Research in Phenomenology 35 (1):77-100.
R. P. Kolker & J. Douglas Ousley (1973). A Phenomenology of Cinematic Time and Space. British Journal of Aesthetics 13 (4):388-396.
Added to index2011-11-15
Total downloads20 ( #185,467 of 1,796,448 )
Recent downloads (6 months)3 ( #282,641 of 1,796,448 )
How can I increase my downloads?