David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Cambridge University Press (1995)
This book is a philosophical study of the relations between hearing and thinking about music. The central problem it addresses is as follows: how is it possible to talk about what a listener perceives in terms that the listener does not recognize? By applying the concepts and techniques of analytic philosophy the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought. The author is both philosopher and musicologist and uniquely combines the perspectives of both disciplines. Exploring the philosophical questions of mental representation in the relatively neglected, nonverbal domain of music, this study is a major contribution to the philosophical understanding of music perception and cognitive theory
|Keywords||Music Philosophy and aesthetics Music Psychological aspects|
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|Buy the book||$2.63 used (98% off) $76.36 new (28% off) $104.99 direct from Amazon Amazon page|
|Call number||ML3800.D3 1995|
|ISBN(s)||0521403316 9780521403313 9780521062145|
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Citations of this work BETA
Dustin Stokes (2009). Aesthetics and Cognitive Science. Philosophy Compass 4 (5):715-733.
Michael Luntley (2003). Nonconceptual Content and the Sound of Music. Mind and Language 18 (4):402-426.
Michael Luntley (2010). Expectations Without Content. Mind and Language 25 (2):217-236.
Mark Reybrouck (2001). Biological Roots of Musical Epistemology: Functional Cycles, Umwelt, and Enactive Listening. Semiotica 2001 (134).
Mark DeBellis (1999). What is Musical Intuition? Tonal Theory as Cognitive Science. Philosophical Psychology 12 (4):471 – 501.
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