Musique Contemporaine: Théories Et Philosophie: Textes d'étude = Contemporary Music: Theories and Philosophy: Working Papers
Irène Deliège (ed.)
Escom Publications (2000)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | Music Philosophy and aesthetics Music theory Music | |||||||||
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| Call number | ML3845.M982 2000 | |||||||||
| ISBN(s) | 2930104015 | |||||||||
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Geoffrey Hodson (1976). Music Forms: Superphysical Effects of Music Clairvoyantly Observed. Theosophical Pub. House.
Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.
Suzannah Clark & Alexander Rehding (eds.) (2005). Music Theory and Natural Order From the Renaissance to the Early Twentieth Century. Cambridge University Press.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
June Countryman & Elizabeth Gould (eds.) (2009). Exploring Social Justice: How Music Education Might Matter. Canadian Music Educators' Association = Association Canadienne des Musiciens Éducateurs.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Malcolm Budd (1985). Music and the Emotions: The Philosophical Theories. Routledge & Kegan Paul.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
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