The classic chinese theater
Journal of Aesthetics and Art Criticism 15 (2):181-197 (1956)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,709 |
| External links |
 |
| Through your library | Configure |
Similar books and articlesJames Hamilton (2009). The Text-Performance Relation in Theater. Philosophy Compass 4 (4):614-629.
Craig Wright (2011). Live Theater and the Limits of Human Freedom. Topoi 30 (2):145-149.
Nicholas Peter Ridout (2009). Theatre & Ethics. Palgrave Macmillan.
Robert W. Lurz (2004). In Search of the Metaphor of the Mind: A Critical Review of Baars' in the Theater of Consciousness. [REVIEW] Philosophical Psychology 17 (2):297 – 307.
Jeffrey L. Richey (2010). The Chinese Classic of Family Reverence: A Philosophical Translation of the Xiaojing– by Henry Rosemont, Jr. And Roger T. Ames. Journal of Chinese Philosophy 37 (1):144-147.
Yang Kung-sun (1963). The Book of Lord Shang: A Classic of the Chinese School of Law. University of Chicago Press.
Zehou Li (1994). The Path of Beauty: A Study of Chinese Aesthetics. Oxford University Press.
Helena Grehan (2009). Performance, Ethics and Spectatorship in a Global Age. Palgrave Macmillan.
Sophia Delza (1958). The Dance in the Chinese Theater. Journal of Aesthetics and Art Criticism 16 (4):437-452.
Analytics
Monthly downloads
Sorry, there are not enough data points to plot this chart.
|
Added to index2009-01-28Total downloads2 ( #232,684 of 549,715 )Recent downloads (6 months)0How can I increase my downloads? |
My notes
Discussion
