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After Adorno: Rethinking Music Sociology
Cambridge University Press (2003)
Abstract
Theodor W. Adorno broached key questions about the role of music in contemporary society and argued that it affected consciousness and was a means of social management and control. Asserting that music sociology can be greatly enriched by returning to Adorno's focus on music as a dynamic medium of social life, this book considers cognition, the emotions and music as a management device.
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Citations of this work
Music Communicates Affects, Not Basic Emotions – A Constructionist Account of Attribution of Emotional Meanings to Music.Julian Cespedes-Guevara & Tuomas Eerola - 2018 - Frontiers in Psychology 9.
Movement and musical performance.Andrew Geeves & John Sutton - 2021 - In William Forde Thompson & Kirk N. Olsen (eds.), The Science and Psychology of Music: from Beethoven at the office to Beyoncé at the gym. Greenwood. pp. 269-273.
Teacher-led codeswitching: Adorno, race, contradiction, and the nature of autonomy.Jack Bicker - 2018 - Ethics and Education 13 (1):73-85.
A Question of Listening: Nancean Resonance and Listening in the Work of Charlie Chaplin.Carolyn Sara Giunta - 2013 - Dissertation, University of Dundee
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