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- Daniel C. Dennett & Marcel Kinsbourne (1992). Time and the Observer: The Where and When of Consciousness in the Brain. Behavioral and Brain Sciences 15:183-201.
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Neuroscience is an important component of the scientific attack on the problem of consciousness. However, most neuroscientists, viewing our discussions, see only conflict and discord, and no reason why quantum theory has any great relevance the dynamics of the conscious brain. It is therefore worthwhile, in this first plenary talk of the 2003 Tucson conference on “Quantum Approaches to the Understanding of Consciousness,” to focus on the central issue, which is the crucial role of “The Observer,” and specifically, “The Mind of The Observer” in contemporary physical theory. I shall therefore review here this radical departure of present-day basic physics from the principles of classical physics, and then spell out some of its ramifications for neuroscience.
In the early years of the 1990s, a number of philosophers and cognitive scientists became enthused about the idea that mental states are spatially and temporally distributed in the brain, and that this has significant consequences for philosophy of mind. Daniel Dennett (1991), for example, appealed to the spatial and temporal distribution of cognitive processes in the brain in order to argue that there is no unified place where or time when consciousness occurs in the brain. Dennett used this interim conclusion as a premise in a series of arguments designed to undermine what he calls the “Cartesian Theater” view of consciousness, according to which there is an independent and fact of the matter about when and where conscious mental states occur. Most famously, Dennett argues that anyone who believes there are such facts of the matter must choose between “Orwellian” and “Stalinesque” theories of the timing of consciousness, in order to accommodate certain data about the spatial distribution of the timing of consciousness-related brain events. But, he claims, that distinction is a distinction without a difference: The choice between “Orwellian” and “Stalinesque” views is either nonsense, or at the very least one that we could never be justified in making. And this, Dennett takes it, is a reductio ad absurdum of any theory of consciousness that says there is a fact of the matter about when and where is occurs.
The cognitive mind-brain is haunted by the ghost of consciousness. Cognitive science must face this ghost, since consciousness is perhaps the most important mental phenomenon: it forms a seemingly united, multimodal phenomenological world around the subject who experiences this world from a certain point of view. Many current approaches to consciousness fail to illuminate the nature of this “experienced world”. Some philosophers want to eliminate consciousness from science for good, others build theories in which the concept of consciousness is distorted beyond recognition. I argue that elimination and Daniel Dennett's “multiple drafts” model do not offer genuine explanations for consciousness. However, certain empirically-based approaches to consciousness succeed in exorcising its ghostly reputation and, at the same time, in preserving the experienced world of consciousness as an important explanandum.
According to conventional wisdom, the split-brain syndrome puts paid to the thesis that consciousness is necessarily unified. The aim of this paper is to challenge that view. I argue both that disunity models of the split-brain are highly problematic, and that there is much to recommend a model of the split-brain—the switch model—according to which split-brain patients retain a fully unified consciousness at all times. Although the task of examining the unity of consciousness through the lens of the split-brain syndrome is not a new one—such projects date back to Nagel’s seminal paper on the topic—the time is ripe for a re-evaluation of the issues.
Two models of consciousness are contrasted with regard to their treatment of subjective timing. The standard Cartesian Theater model postulates a place in the brain where "it all comes together": where the discriminations in all modalities are somehow put into registration and "presented" for subjective judgment. In particular, the Cartesian Theater model implies that the temporal properties of the content-bearing events occurring within this privileged representational medium determine subjective order. The alternative, Multiple Drafts model holds that whereas the brain events that discriminate various perceptual contents are distributed in both space and time in the brain, and whereas the temporal properties of these various events are determinate, none of these temporal properties determine subjective order, since there is no single, constitutive "stream of consciousness" but rather a parallel stream of conflicting and continuously revised contents. Four puzzling phenomena that resist explanation by the standard model are analyzed: two results claimed by Libet, an apparent motion phenomenon involving color change (Kolers and von Grunau), and the "cutaneous rabbit" (Geldard and Sherrick) an illusion of evenly spaced series of "hops" produced by two or more widely spaced series of taps delivered to the skin. The unexamined assumptions that have always made the Cartesian Theater model so attractive are exposed and dismantled. The Multiple Drafts model provides a better account of the puzzling phenomena, avoiding the scientific and metaphysical extravagances of the Cartesian Theater.
Where is the self located in the brain? This is a question that has intrigued philosophers and scientists for quite some time. Four centuries ago, the French philosopher René Descartes thought that the self resided in the pineal gland, a small structure centrally positioned in the lower brain.
Damasio remarks, it "informs virtually all research on mind and brain, explicitly or implicitly." Indeed, serial information processing models generally run this risk (Kinsbourne, 1985). The commentaries provide a wealth of confirming instances of the seductive power of this idea. Our sternest critics Block, Farah, Libet, and Treisman) adopt fairly standard Cartesian positions; more interesting are those commentators who take themselves to be mainly in agreement with us, but who express reservations or offer support with arguments that betray a continuing allegiance to one or another tenet of the view we sought to discredit.
Any theoretician constructing a serious model of consciousness should carefully assess the details of empirical data generated in the neurosciences and psychology. A failure to account for those details may cast doubt on the adequacy of that model. This paper presents a case in point. Dennett and Kinsbourne's (Dennett, D., & Kinsbourne, M. (1992). Time and the observer: The where and when of consciousness in the brain. Behavioral and Brain Sciences, 15, 183-243) assault on the materialist version of the Cartesian Theater model of the mind relies significantly on the superiority of their Multiple Drafts model of consciousness as an explanation of the phenomenon of metacontrast. However, their description of metacontrast is, in important ways, inadequate. The result is that their explanation of how the Multiple Drafts model handles this phenomenon fails to account for the actual data. In this paper I offer a more complete description of metacontrast, show how Dennett and Kinsbourne's explanation fails, and argue that there are good theoretical reasons for choosing the so-called Stalinesque model over the so-called Orwellian model.
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