Unsound sentiment: A critique of Kivy's 'emotive formalism'
Philosophical Papers 22 (2):135-147 (1993)
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Jonathan A. Neufeld (2009). Musical Formalism and Political Performances. Contemporary Aeshetics 7.
Hagit Kivy (2003). :Hume's Aesthetic Theory: Taste and Sentiment. Journal of Scottish Philosophy 1 (1):97-100.
Peter Kivy (1983). Sound Sentiment: A Reply to Donald Callen. Journal of Aesthetics and Art Criticism 41 (3):332-334.
Jenny McMahon (2010). The Classical Trinity and Kant's Aesthetic Formalism. Critical Horizons 11 (3):419-441.
Peter Kivy (1989). Sound Sentiment: An Essay on the Musical Emotions, Including the Complete Text of the Corded Shell. Temple University Press.
Kelly Dean Jolley (2008). (Kivy on) the Form–Content Identity Thesis. British Journal of Aesthetics 48 (2):193-204.
Eric McCready (2012). Emotive Equilibria. Linguistics and Philosophy 35 (3):243-283.
Peter Kivy (1994). Armistice, but No Surrender: Davies on Kivy. Journal of Aesthetics and Art Criticism 52 (2):236-237.
E. M. Adams (1949). A Critique of the Emotive Theory of Ethical Terms. Journal of Philosophy 46 (17):549-553.
J. O. Young (2011). Kivy on Musical Genius. British Journal of Aesthetics 51 (1):1-12.
Nick Zangwill (1999). Feasible Aesthetic Formalism. Noûs 33 (4):610-629.
Peter Kivy (2003). The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics. Oxford University Press.
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