Collingwood, imagination and epistemology
Philosophical Studies 24:82-103 (1976)
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| Keywords | Collingwood Aesthetics Theory of Knowledge | |||||||||
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Aaron Ridley (1997). Not Ideal: Collingwood's Expression Theory. Journal of Aesthetics and Art Criticism 55 (3):263-272.
Charles B. Fethe (1982). Hand and Eye: The Role of Craft in R. G. Collingwood's Aesthetic Theory. British Journal of Aesthetics 22 (1):37-51.
Gary K. Browning (2004). Rethinking R.G. Collingwood: Philosophy, Politics, and the Unity of Theory and Practice. Palgrave Macmillan.
R. Wollheim (1972). On an Alleged Inconsistency in Collingwood's Aesthetic. In M. Krausz (ed.), Critical Essays on the Philosophy of R. G. Collingwood. Oxford, Oxford University Press.
Dimitris Vardoulakis (2006). Total Imagination and Ontology in R. G. Collingwood. British Journal for the History of Philosophy 14 (2):303 – 322.
E. J. Main (1988). Art as Imagination. The Development of R. G. Collingwood's Theory of Art. DiaLogos 23:123-137.
David Davies (2008). Collingwood's ‘Performance’ Theory of Art. British Journal of Aesthetics 48 (2):162-174.
A. P. Fell (1991). R. G. Collingwood and the Hermeneutical Tradition. International Studies in Philosophy 23 (3):1-12.
R. Kavanath (1991). Collingwood, Aesthetics and a Theory of Craft. International Studies in Philosophy 23 (3):13-26.
R. G. Collingwood (1925). Plato's Philosophy of Art. Mind 34 (134):154-172.
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