Proust: Philosophy of the Novel
Stanford University Press (1992)
| Abstract | Through the voice of the narrator of Remembrance of Things Past, Proust observes of the painter Elstir that the paintings are bolder than the artist; Elstir the painter is bolder than Elstir the theorist. This book applies the same distinction to Proust; the Proustian novel is bolder than Proust the theorist. By this the author means that the novel is philosophically bolder, that it pursues further The task Proust identifies as the writer's work: to explain life, to elucidate what has been lived in obscurity and confusion. In this, the novelist and the philosopher share a common goal: to clarify the obscure in order to arrive at the truth. It follows that Proust's real philosophy of the novel is to be found not in the speculative passages of Remembrance, which merely echo the philosophical commonplaces of his time, but in the truly novelistic or narrative portions of his text. In Against Sainte-Beuve, Proust sets forth his ideas about literature in the form of a critique of the method of Sainte-Beuve. Scholars who have studied Proust's notebooks describe the way in which this essay was taken over by bits of narrative originally intended as illustrations supporting its theses. The philosophical portions of Remembrance were not added to the narrative as an afterthought, designed to bring out its meaning. What happened was the reverse: the novel was born of a desire to illustrate the propositions of the essay. Why then should we not find the novel more philosophically advanced than the essay? Reversing the usual order following by literary critics, the author interprets the novel as an elucidation, and not as a simple transposition, of the essay. The book is not only a general interpretation of Proust's novel and its construction; it includes detailed discussions of such topics as literature and philosophy, the nature of literary genres, the poetics of the novel, the definition of art, modernity and postmodernity, and the sociology of literature. | |||||||||
| Keywords | Philosophy in literature | |||||||||
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| Buy the book | $85.12 used $484.40 new Amazon page | |||||||||
| Call number | PQ2631.R63.A786313 1992 | |||||||||
| ISBN(s) | 0804720002 9780804720007 | |||||||||
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Erika Fülöp (2009). Different Essences and Essential Differences : Proust Versus Deleuze. In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave Macmillan.
James Reid (2009). The Gift of Time : Reading Proust, Reading Deleuze, Reading Proust. In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave Macmillan.
Anthony Uhlmann (2009). Deleuze, Leibniz, Proust, and Beckett : Thinking in Literature. In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave Macmillan.
Garin Dowd (2009). Apprenticeship, Philosophy, and the 'Secret Pressures of the Work of Art' in Deleuze, Beckett, Proust, and Ruiz or Remaking the Recherche. In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave Macmillan.
Joshua Landy (2004). Philosophy as Fiction: Self, Deception, and Knowledge in Proust. Oxford University Press.
Christopher M. Drohan (2009). The Search for Strange Worlds : Deleuzian Semiotics and Proust. In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave Macmillan.
Gary Kemp (2005). Philosophy as Fiction: Self, Deception, and Knowledge in Proust (Review). Philosophy and Literature 29 (2):498-500.
Mary Bryden & Margaret Topping (eds.) (2009). Beckett's Proust/Deleuze's Proust. Palgrave Macmillan.
Clark Lunberry (2009). Staring Sightlessly' : Proust's Presence in Beckett's Absence. In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave Macmillan.
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