Ariadne revisited

Contemporary Aesthetics 1 (1):Online (2003)
Abstract ABSTRACT My article, "Ariadne at the Movies," provided a detailed, double film counter-example to the claim that films are types. Here I defend my views against various criticisms provided by Aaron Smuts. The defense includes some necessary clarification of the Ariadne article's broader theoretical structure and background, as well as some additional anti-type arguments to further withstand his criticisms.
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    Angus Easson (1969). The Source of Titian's Bacchus and Ariadne. Journal of the Warburg and Courtauld Institutes 32:396-397.
    John Dilworth (2003). Ariadne at the Movies. Contemporary Aesthetics 1 (1):Online.

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