David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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University of Chicago Press (1998)
In this pathbreaking study, Micaela di Leonardo reveals the face of power within the mask of cultural difference. From the 1893 World's Fair to Body Shop advertisements, di Leonardo focuses on the intimate and shifting relations between popular portrayals of exotic Others and the practice of anthropology. In so doing, she casts new light on gender, race, and the public sphere in America's past and present. "An impressive work of scholarship that is mordantly witty, passionately argued, and takes no prisoners."--Lesley Gill, News Politics "[Micaela] di Leonardo eloquently argues for the importance of empirical, interdisciplinary social science in addressing the tragedy that is urban America at the end of the century."--Jonathan Spencer, Times Literary Supplement "In her quirky new contribution to the American culture brawl, feminist anthropologist Micaela di Leonardo explains how anthropologists, 'technicians of the sacred,' have distorted American popular debate and social life."--Rachel Mattson, Voice Literary Supplement "At the end of di Leonardo's analyses one is struck by her rare combination of rigor and passion. Simply, [she] is a marvelous iconoclast."--Matthew T. McGuire, Boston Book Review.
|Keywords||Ethnology Philosophy Ethnology Authorship Ethnology Ethnocentrism Cultural relativism Exoticism in literature Women anthropologists Feminist anthropology Women Cross-cultural studies Women Social conditions|
|Categories||categorize this paper)|
|Buy the book||$5.00 used (90% off) $32.00 new (31% off) $46.00 direct from Amazon Amazon page|
|Call number||GN33.D5 1998|
|ISBN(s)||0226149102 0226472639 9780226472638|
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Joan Huber (2004). Lenski Effects on Sex Stratification Theory. Sociological Theory 22 (2):258-268.
David Mills (2003). Relativism and Cultural Studies. Think 1 (3):79.
Elana D. Buch (2015). Postponing Passage: Doorways, Distinctions, and the Thresholds of Personhood Among Older Chicagoans. Ethos 43 (1):40-58.
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