Four Theories of Inversion in Art and Music
Southern Journal of Philosophy 40 (1):1-19 (2002)
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Jeff Speaks (2011). Spectrum Inversion Without a Difference in Representation is Impossible. Philosophical Studies 156 (3):339-361.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
George C. Schuetze (2005). Convergences in Music and Art: A Bibliographic Study. Harmonie Park Press.
Nick Zangwill (2007). Music, Metaphor, and Emotion. Journal of Aesthetics and Art Criticism 65 (4):391–400.
Nick Zangwill (2007). Music, Emotion and Metaphor. Journal of Aesthetics and Art Criticism 65 (4):391-400.
Irène Deliège (ed.) (2000). Musique Contemporaine: Théories Et Philosophie: Textes d'Étude = Contemporary Music: Theories and Philosophy: Working Papers. Escom Publications.
Julian Johnson (2002). Who Needs Classical Music?: Cultural Choice and Musical Value. Oxford University Press.
Berthold Hoeckner (ed.) (2006). Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
John Hospers (1971). Artistic Expression. New York,Appleton-Century-Crofts.
Malcolm Budd (1985). Music and the Emotions: The Philosophical Theories. Routledge & Kegan Paul.
Julius Portnoy (1973). Music in the Life of Man. Westport, Conn.,Greenwood Press.
John Redfield (1935). Music: A Science and an Art. New York, Tudor Publishing Co..
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