Medium, subject matter and representation

Southern Journal of Philosophy 41 (1):45-62 (2003)
Abstract
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and expressive acts cannot themselves be the artist's expression, but instead they serve to signify or indicate those acts. Thus there is a kind of indicative content associated with a picture that is distinct from its subject matter (or 'representational content'). I also argue that this kind of indicative content is closely associated with the specific artistic medium chosen by the artist as her expressive medium, for which reason I call this kind of content medium content (or medium-related content).
Keywords No keywords specified (fix it)
Categories (categorize this paper)
Options
 Save to my reading list
Follow the author(s)
My bibliography
Export citation
Find it on Scholar
Edit this record
Mark as duplicate
Revision history Request removal from index
 
Download options
PhilPapers Archive


Upload a copy of this paper     Check publisher's policy on self-archival     Papers currently archived: 12,088
External links
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library
References found in this work BETA

No references found.

Citations of this work BETA
John Dilworth (2005). Resemblance, Restriction, and Content-Bearing Features. Journal of Aesthetics and Art Criticism 63 (1):67–70.
Similar books and articles
Analytics

Monthly downloads

Added to index

2009-01-28

Total downloads

34 ( #54,951 of 1,102,012 )

Recent downloads (6 months)

4 ( #91,864 of 1,102,012 )

How can I increase my downloads?

My notes
Sign in to use this feature


Discussion
Start a new thread
Order:
There  are no threads in this forum
Nothing in this forum yet.