David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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British Journal of Aesthetics 43 (1):39-56 (2003)
Issues concerning the spatial orientation of pictures play an important, though previously neglected, role in an adequate understanding of the nature and identity of visual artworks and other pictures. Using a previous contrast ('Artworks Versus Designs', BJA Vol. 41, No. 4, October 2001), I show that differing orientations of a design naturally give rise to distinct pictures, which may be appropriated as distinct artworks by a discerning artist--which also shows that such artworks cannot be types, since they share a common token. The investigation also raises some significant issues concerning artistic printmaking, and strongly suggests in addition that two new concepts of interpretation--of identifying and constitutive interpretation--are required to adequately explain the artistic phenomena that are uncovered.
|Keywords||Spatial orientation of pictures Printmaking Identifying Interpretation Constitutive Interpretation Contra Artistic Type Theories|
|Categories||categorize this paper)|
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Citations of this work BETA
Sherri Irvin (2005). The Artist's Sanction in Contemporary Art. Journal of Aesthetics and Art Criticism 63 (4):315–326.
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