Online research in philosophy

Some poststructuralist feminist theorists hold that the body is merely the product of cultural determinants and that gender is a free-floating artifice. I discuss how this "denaturalization" of gender and the body entrenches us yet deeper in the nature/culture dichotomy. The body, I maintain, needs to be "renaturalized" so that its earthy significance is recognized. Through a feminist reappropriation of Merleau-Ponty's phenomenology of the body, I develop a noncausal linkage between gender and the body. I present the body as an indeterminate constancy that is culturally and historically contextualized, on the one hand, yet part of our embodied givenness on the other. Interspersed throughout the paper are passages that describe my own bodily condition as I wrote the paper.

: Shannon Sullivan's critique of Merleau-Ponty's Phenomenology of Perception is based on the argument that, due to his concept of the "anonymous body," his theory of intersubjectivity omits the particularities of bodies, such as gender. I argue that Merleau-Ponty's "anonymous body" (le corps phénoménal) is not in fact "neutral" as Sullivan suggests, and moreover that he does not ignore differences but rather provides us with the idea of difference as a process of differentiation. Additionally, I argue that Sullivan's concept of "hypothetical construction," which is introduced as an alternative to Merleau-Ponty, turns out to be a conscious construction, not reflecting upon its very conditions. Thus, Sullivan's account fails by presupposing what in fact needs to be explained: the particularities.

: There is an inherent ambiguity in the notions of inner and outer in Merleau-Ponty's philosophy even as his ideas attempt to reject the duality of transcendence and immanence. In particular, his philosophy of the body is inexplicably silent on the phenomenological experiences of the inner body. In contrast, the discourse and practice of yoga allow for a fresh phenomenological understanding of the inner body. Thus, it seems relevant to consider the wider implications of the practice of yoga to Merleau-Ponty's thematization of the body and the world. The consequences of such a reflection are manifold and suggest that the "inside" can be understood as the phenomenological experience of dimensionality; the yogic practices of body postures and breathing techniques allow or a "perception" of the inner body, which then leads us to understand this perception in terms of the reversibility of consuming and consumed.

It is argued that in beginning ``being and nothingness'' with the absolute ontological distinction between the for-itself (pure nothingness) and the in-itself (pure being), sartre makes it impossible to understand how the phenomenological account of experience which comes later in the work could be correct. attention is paid almost entirely to the critique of sartre implicit in the chapter of merleau-ponty's ``phenomenology of perception'' titled 'the cogito'. merleau-ponty's divergence from sartre is seen to center around his critique of sartre on the nature of the in-itself, the world, and the pre-reflective 'cogito'.

Merleau-Ponty developed a phenomenology of the body that promoted a non-dualistic account of human existence. In this paper I intend to develop Merleau-Ponty's analysis further by questioning his account of the body on the issues of body perception, and the body's relation to its environment. To clarify these issues I draw from both the phenomenological tradition and recent psychological investigations.

This chapter studies the theme of the body in Merleau-Ponty by first showing how it is anticipated in The Structure of Behaviour and is central to the Phenomenology of Perception. In addition to illuminating Merleau-Ponty's concept of the body, the aim is to show how the body is, for Merleau-Ponty, a key methodological term, since it marks philosophy's inherent openness to something prephilosophical, to which philosophy must be responsible. The chapter shows how this openness and the body's expressive role in the earlier philosophy anticipates key issues in the later The Visible and the Invisible.

We argue that no sharp boundary can be drawn between the ``authentic'' human body and its instruments. In contrast to some other theorists of the continental canon--notably Heidegger and the Frankfurt school--Sartre and Merleau-Ponty can be read as asserting that the body (transitively) ``lives'' its instruments, weaving with them an intricate web of habitual actions and experiences. For Merleau-Ponty especially, the human body and its instruments are capable of complementing, supplementing, and melting into one another.