David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Philosophy Compass 3 (6):1113-1134 (2008)
The ontological nature of works of music has been a particularly lively area of philosophical debate during the past few years. This paper serves to introduce the reader to some of the most fertile and interesting issues. Starting by distinguishing three questions – the categorial question, the individuation question, and the persistence question – the article goes on to focus on the first: the question of which ontological category musical works fall under. The paper ends by introducing, and briefly considering, meta-ontological questions in the ontology of music.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Christopher Bartel (2011). Music Without Metaphysics? British Journal of Aesthetics 51 (4):383-398.
Nurbay Irmak (2012). Software is an Abstract Artifact. Grazer Philosophische Studien 86 (1):55-72.
Julian Dodd (2004). Types, Continuants, and the Ontology of Music. British Journal of Aesthetics 44 (4):342-360.
Andrew Kania (2008). The Methodology of Musical Ontology: Descriptivism and its Implications. British Journal of Aesthetics 48 (4):426-444.
S. French & P. Vickers (2011). Are There No Things That Are Scientific Theories? British Journal for the Philosophy of Science 62 (4):771-804.
Saam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
James Young (2011). The Ontology of Musical Works: A Philosophical Pseudo-Problem. Frontiers of Philosophy in China 6 (2):284-297.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Ross Cameron (2008). There Are No Things That Are Musical Works. British Journal of Aesthetics 48 (3):295-314.
Added to index2009-01-28
Total downloads236 ( #2,073 of 1,099,536 )
Recent downloads (6 months)8 ( #31,933 of 1,099,536 )
How can I increase my downloads?