David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Philosophy Compass 3 (6):1113-1134 (2008)
The ontological nature of works of music has been a particularly lively area of philosophical debate during the past few years. This paper serves to introduce the reader to some of the most fertile and interesting issues. Starting by distinguishing three questions – the categorial question, the individuation question, and the persistence question – the article goes on to focus on the first: the question of which ontological category musical works fall under. The paper ends by introducing, and briefly considering, meta-ontological questions in the ontology of music.
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References found in this work BETA
Donald Davidson (1980). Essays on Actions and Events. Oxford University Press.
Amie L. Thomasson (2007). Ordinary Objects. Oxford University Press.
David Wiggins (1980). Sameness and Substance. Harvard University Press.
Ben Caplan & Carl Matheson (2004). Can a Musical Work Be Created? British Journal of Aesthetics 44 (2):113-134.
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
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