David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Perspectives on Science 18 (4):409-431 (2010)
My goal in this paper is to develop our understanding of the role the imagination plays in Kant’s Critical account of geometry, and I do so by attending to how the imagination factors into the method of reasoning Kant assigns the geometer in the First Critique. Such an approach is not unto itself novel. Recent commentators, such as Friedman (1992) and Young (1992), have taken a careful look at the constructions of the productive imagination in pure intuition and highlighted the importance of the imagination’s activity for securing the universality of geometry knowledge. Specifically, as their respective examinations bring to light, it is only with due attention to the imagination that we can make sense of how a ..
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References found in this work BETA
Emily Carson (1999). Kant on the Method of Mathematics. Journal of the History of Philosophy 37 (4):629-652.
Emily Carson (2002). Locke's Account of Certain and Instructive Knowledge. British Journal for the History of Philosophy 10 (3):359 – 378.
Predrag Cicovacki (1990). Locke on Mathematical Knowledge. Journal of the History of Philosophy 28 (4):511-524.
Mary Domski (2006). Construction Without Spatial Constraints: A Reply to Emily Carson. Locke Studies 6:85-99.
Citations of this work BETA
Mary Domski (2013). Kant and Newton on the a Priori Necessity of Geometry. Studies in History and Philosophy of Science Part A 44 (3):438-447.
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