The concept of self and postmodern painting: Constructing a post-cartesian viewer
Journal of Aesthetics and Art Criticism 49 (4):331-336 (1991)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,705 |
| External links |
|
| Through your library | Configure |
Ron Chrisley (2008). Painting an Experience: Las Meninas, Consciousness and the Aesthetic Mode. Journal of Consciousness Studies 15 (9):40-45.
Margaret A. Rose (1991). The Post-Modern and the Post-Industrial: A Critical Analysis. Cambridge University Press.
Edward Slowik (1997). Huygens' Center-of-Mass Space-Time Reference Frame: Constructing a Cartesian Dynamics in the Wake of Newton's “de Gravitatione” Argument. Synthese 112 (2):247-269.
William Jaworski (2006). Hylomorphism and Post-Cartesian Philosophy of Mind. Proceedings of the American Catholic Philosophical Association 80:209-224.
Anthony King (1998). A Critique of Baudrillard's Hyperreality: Towards a Sociology of Postmodernism. Philosophy and Social Criticism 24 (6):47-66.
Nigel Wentworth (2004). The Phenomenology of Painting. Cambridge University Press.
Monthly downloads |
Added to index2009-01-28Total downloads15 ( #78,732 of 549,198 )Recent downloads (6 months)1 ( #63,397 of 549,198 )How can I increase my downloads? |

