Abstract

The Kunstkammer of the Electors of Saxony, founded in Dresden around 1560, housed one of the richest collections of tools and scientific instruments in its day. A close analysis of the optical objects in the collection in the decades around 1600 is undertaken here—in particular, their arrangement by a mathematically trained curator, Lucas Brunn, and their use in an ‘experiment’ by a distinguished visitor, Johannes Kepler. It is argued that the selection, display and use of optical objects within this collection reflect a specific, playful image of optics promoted at the Saxon court.Keywords: Court collections; Optics; Instruments; Perspective; Wonder