Freedom and the theatre of ideas
| Abstract | I want to address a number of interrelated issues that confront the modern theatre. My main concern is to ask, why should we have a theatre of ideas ? The theatre of entertainment is unproblematic: though it has an important place in cultural life, it is undemanding, having the essential purpose of amusement. The theatre of ideas, on the other hand, is a theatre that provokes us to think about morality, human relations, history, or politics. What place does a theatre of ideas have in our lives, and what is the aesthetic or philosophical attitude we should take toward it? In order to approach this issue, I want to give the briefest sketch of two lines of thought that have come down through the history of aesthetics. | |||||||||
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Tobin Nellhaus (2010). Theatre, Communication, Critical Realism. Palgrave Macmillan.
Steve Waters (2011). Political Playwriting: The Art of Thinking in Public. Topoi 30 (2):137-144.
P. Giacche & J. Burrell (1999). At the Margins of Theatre. On the Connection Between Theatre and Anthropology. Diogenes 47 (186):83-92.
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