David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
AI and Society 27 (2):189-195 (2012)
The number of events and artifacts described as sonification has increased considerably in recent years with some works making a bridge between the representation of data and artistic expression. Flood Tide which sonifies the flow of tidal water is such a work and has achieved a relatively high profile attracting good audiences for its 10 performances to date. It is not entirely obvious however what it is that attracts audiences and whether it is effective at representing the data being sonified. This paper aims to address these issues and is based on a discussion group in which these and other questions are considered
|Keywords||Sonification Algorithmic composition Live notation Tide|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Florian Grond & Thomas Hermann (2012). Aesthetic Strategies in Sonification. AI and Society 27 (2):213-222.
Stephen Barrass (2012). The Aesthetic Turn in Sonification Towards a Social and Cultural Medium. AI and Society 27 (2):177-181.
Peter Sinclair (2012). Sonification: What Where How Why Artistic Practice Relating Sonification to Environments. [REVIEW] AI and Society 27 (2):173-175.
Stephen Davies (2001). Musical Works and Performances: A Philosophical Exploration. Oxford University Press.
Scot Gresham-Lancaster (2012). Relationships of Sonification to Music and Sound Art. AI and Society 27 (2):207-212.
Stephen Davies (2006). Performance Interpretations of Musical Works. Nordic Journal of Aesthetics 18 (33-34).
Bence Nanay (2012). Musical Twofoldness. The Monist 95 (4):607-624.
Marty Quinn (2012). “Walk on the Sun”: An Interactive Image Sonification Exhibit. [REVIEW] AI and Society 27 (2):303-305.
Lorella Abenavoli (2012). The Pulse of the Earth and Sonification. AI and Society 27 (2):277-279.
David Davies (2009). Works and Performances in the Performing Arts. Philosophy Compass 4 (5):744-755.
Peter Gena (2012). Apropos Sonification: A Broad View of Data as Music and Sound. [REVIEW] AI and Society 27 (2):197-205.
Stuart Jones (2012). Now? Towards a Phenomenology of Real Time Sonification. AI and Society 27 (2):223-231.
Peter Kivy (2006). Ars Perfecta: Toward Perfection in Musical Performance? British Journal of Aesthetics 46 (2):111-132.
Jonathan A. Neufeld (2009). Musical Formalism and Political Performances. Contemporary Aesthetics 7.
Hugh M. Culbertson (1989). Should Journalists Follow or Lead Their Audiences?: A Study of Student Beliefs. Journal of Mass Media Ethics 4 (2):193 – 213.
Added to index2012-04-25
Total downloads9 ( #245,889 of 1,725,161 )
Recent downloads (6 months)1 ( #349,161 of 1,725,161 )
How can I increase my downloads?