Online research in philosophy

In discussing the Bible as literature, I am simply going to assume that the Bible, particularly in the King James version, is great literature. I am also going to take for granted the fact that its stories and themes have continually sparked the literary imagination of the West. From the story of Adam and Eve in the Garden to that of the Resurrection we have a set of symbols, motifs, and themes whose reworking has been the subject of the bulk of our literature. I am not going to discuss this influence, nor even discuss the Bible as a piece of literature, i.e., as a particular literary work. What I am going to do is to focus on what is involved in our taking it as literature. More particularly, I am going to look at how we approach questions of truth in a literary work. I am going to ask how far we can push this approach when we come to read the Bible. What are the limits in reading the Bible as literature? When does the notion of “truth” as it arises in a literary text begin to fail us. That it will fail us at a certain point is implicit in the Bible’s claim to be “sacred scripture” or “revelation.” If we take this claim seriously, we naturally have a special approach to the “truth” its text contains. But what precisely is this approach? This is what I want to explore. In other words, my goal in exploring the limits of the literary approach to the Bible is to gain some insights into the sacred character of its text and how we should approach it. §1. Truth and the literary text. The most common, if often overlooked feature of a successful literary work is that of presenting us with a world In a certain sense, it succeeds by having inherent standards for what can belong to it, of what fits in with its sense and what does not. Having such standards, it presents us with that unified sense that makes a world a world, that is, that makes it an ordered whole..

0. Between Literary Theory and a General Poetics 0.1. A Methodological Assessment of Modern Literary Theory. The Starting Point: A Conflictive Present At ...

This article begins by asking if the project to write a philosophical novel is not inherently flawed; it would seem that the novelist must either write an ambiguous text, which would not create a strong enough argument to count as philosophy, or she must write a text with a clear argument, which would not be ambiguous enough to count as good fiction. The only other option available would be to exemplify a preexisting abstract philosophical system in the concrete literary world. To move beyond such an impasse, this article turns to the work of Simone de Beauvoir. Beauvoir's unique aesthetic theory in “Literature and Metaphysics” envisions philosophy as an integral part of the literary text and sees the novel not as an argument but as something called a “philosophical appeal” (Beauvoir 2004b). In her first novel, She Came to Stay, such a concept of the philosophical novel allows Beauvoir to make an original contribution to the philosophical tradition—one in which Beauvoir rethinks the problem of solipsism—while still creating a stunning literary work (Beauvoir 1954). A study of the theory and the novel together thus provides a solid understanding of what philosophers stand to gain from the philosophical novel.

One class of argument against cloning human beings in the contemporary literature focuses on the bad consequences that will befall the clone or “later-twin.” In this paper I consider whether this line of argumentation can be blocked by invoking Parfit’s non-identity problem. I canvass two general strategies for solving the non-identity problem: a consequentialist strategy and a non-consequentialist, rights based strategy. I argue that while each general strategy offers a plausible solution to the non-identity problem as applied to the cases most frequently discussed in the non-identity problem literature, neither provides a reason for puttingaside the non-identity problem when applied to cloning. I conclude (roughly) that the non-identity problem does serve to block this class of argument against cloning.

The purpose of the present text is to show the importance of the system of relevances in respect of the analysis of the literary texts. This concept, developed by Alfred Schutz, helps not only to understand the relation between text and empirical reality as such, but it simultaneously questions the relation between reader, writer, and text. The questions raised by the status of the system of relevances help the phenomenological analysis of the literary text to achieve a better understanding of the act of signification (particularly that defined in the realm of literature) and of the status of reference. It helps also to understand how the configuration of experience as such can be modified according to the specific interaction accomplished within the act of reading.

The Extent of the Literal develops a strikingly new approach to metaphor and polysemy in their relation to the conceptual structure. In a straightforward narrative style, the author argues for a reconsideration of standard assumptions concerning the notion of literal meaning and its relation to conceptual structure. She draws on neurophysiological and psychological experimental data in support of a view in which polysemy belongs to the level of words but not to the level of concepts, and thus challenges some seminal work on metaphor and polysemy within cognitive linguistics, lexical semantics and analytical philosophy.

Polysemy is a term used in semantic and lexical analysis to describe a word with multiple meanings. Although such words present few difficulties in everyday communication, they do pose near-intractable problems for linguists and lexicographers. The contributors in this volume consider the implications of these problems for linguistic theory and how they may be addressed in computational linguistics.

criticism defend the idea that an individual reader's understanding of a text can be a factor in determining the meaning of what is written in that text, and hence must play a part in determining the very identity conditions of works of literary art. We examine some accounts that have been given of the type of readerly ‘competence’ that a reader must have in order for her responses to a text to play this sort of constitutive role. We argue that the analogy drawn by Stanley Fish and Jonathan Culler between literary and linguistic competence is philosophically flawed and explanatorily unfruitful, and that a better way of understanding the notion of literary competence can be constructed by appeal to some limitation results in formal logic and computability theory.

The article reviews the conceptual foundations of advertising polysemy  the occurrence of different interpretations for the same advertising message. We discuss how disciplines as diverse as psychology, semiotics and literary theory have dealt with the issue of polysemy, and provide translations and integration among these multiple perspectives. From such review we draw recurrent themes to foster future research in the area and to show how seemingly opposed methodological and theoretical perspectives complement and extend each other. Implications for advertising research and practice are discussed.

Lexical ambiguity presents one of the most intractable problems for language processing studies and, not surprisingly, it is at the core of research in lexical semantics. Originally published as two special issues of the Journal of Semantics, this collection focuses on the problem of polysemy, from the point of view of practitioners of computational linguistics.