Adorno and musical analysis
Journal of Aesthetics and Art Criticism 57 (4):439-449 (1999)
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Eero Tarasti (ed.) (1995). Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton De Gruyter.
Babette Babich (2011). Adorno on Nihilism and Modern Science, Animals, and Jews. Symposium 15 (1):110-145.
Robert W. Witkin (2000). Why Did Adorno "Hate" Jazz? Sociological Theory 18 (1):145-170.
Joseph D. Lewandowski (1996). Adorno on Jazz and Society. Philosophy and Social Criticism 22 (5):103-121.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Joseph Weiss (2009). Transforming Mimetic Play. Radical Philosophy Review 12 (1/2):273-287.
Byron Almén (2008). A Theory of Musical Narrative. Indiana University Press.
Gianmario Borio (2006). Dire Cela, Sans Savoir Quoi : The Question of Meaning in Adorno and in the Musical Avantgarde. In Berthold Hoeckner (ed.), Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
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