Understanding: Art and science
Synthese 95 (1):196-208 (1993)
| Abstract | The arts and the sciences perform many of the same cognitive functions, both serving to advance understanding. This paper explores some of the ways exemplification operates in the two fields. Both scientific experiments and works of art highlight, underscore, display, or convey some of their own features. They thereby focus attention on them, and make them available for examination and projection. Thus, the Michelson-Morley experiment exemplifies the constancy of the speed of light. Jackson Pollock'sNumber One exemplifies the viscosity of paint. Despite their similarities, science and art might seem to differ in their attitude toward facts. Science is said to adhere to facts; art, to be indifferent to them. Such, I urge, is not the case. Science, like art, often scorns fact to advance understanding through fiction. Thought experiments, I contend, are scientific fictions; literary and pictorial fictions, aesthetic thought experiments. | |||||||||
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Steven French (2003). A Model‐Theoretic Account of Representation (or, I Don't Know Much About Art…but I Know It Involves Isomorphism). Philosophy of Science 70 (5):1472-1483.
J. R. Leibowitz (2008). Hidden Harmony: The Connected Worlds of Physics and Art. Johns Hopkins University Press.
Dustin Stokes (2009). Aesthetics and Cognitive Science. Philosophy Compass 4 (5):715-733.
Alexander Rueger (2002). Aesthetic Appreciation of Experiments: The Case of 18th-Century Mimetic Experiments. International Studies in the Philosophy of Science 16 (1):49 – 59.
Karel Boullart, G. E. Lasker & Hiltrud Schinzel (eds.) (2008). Art and Science, Volume Vi: Proceedings of a Special Focus Symposium on Art and Science Held as Part of the 20th Anniversary International Conference on Systems Research, Informatics and Cybernetics, July 24-30, 2008, Baden-Baden, Germany. [REVIEW] International Institute for Advanced Studies in Systems Research and Cybernetics.
Catherine Elgin (2007). Understanding and the Facts. Philosophical Studies 132 (1):33 - 42.
Catherine Z. Elgin (2002). Creation as Reconfiguration: Art in the Advancement of Science. International Studies in the Philosophy of Science 16 (1):13 – 25.
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