Musical understanding, musical works, and emotional expression: Implications for education
Educational Philosophy and Theory 37 (1):93–103 (2005)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,631 |
| External links |
 |
| Through your library | Configure |
Similar books and articlesAndrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Roger Scruton (2004). Wittgenstein and the Understanding of Music. British Journal of Aesthetics 44 (1):1-9.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Andrew Kania (2008). The Methodology of Musical Ontology: Descriptivism and its Implications. British Journal of Aesthetics 48 (4):426-444.
Saam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
Analytics
Monthly downloads |
Added to index2009-01-28Total downloads18 ( #67,448 of 548,972 )Recent downloads (6 months)1 ( #63,511 of 548,972 )How can I increase my downloads? |
My notes
Discussion
