David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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The Monist 50 (2):281-298 (1966)
The aesthetic experience, In husserl's language, Brackets or suspends the natural standpoint. Consciousness perceives the work of art not as an object of the factual world, But as a man-Made artifact to be enjoyed just for certain immediately experienced qualities. The work of art is neither a real physical entity nor a real psychical entity, But a purely intentional object, For which the physical object serves as a substratum. The critic must recreate the purely intentional object by completing the schema of the work and by actualizing its merely potential elements. He must experience the ensemble of axiologically neutral qualities, Aesthetic qualities, And aesthetic values as an harmonious whole. A full concretion of the work is the aesthetic object-The object the critic describes and judges. By metaphorical or partly metaphorical language-Never completely adequate-He tries to convey to his readers the experience of its qualities and values
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