Condillac's paradox
Journal of the History of Philosophy 43 (4):403-435 (2005)
| Abstract | : I argue that Condillac was committed to four mutually inconsistent propositions: that the mind is unextended, that sensations are modifications of the mind, that colours are sensations, and that colours are extended. I argue that this inconsistency was not just the blunder of a second-rate philosopher, but the consequence of a deep-seated tension in the views of early modern philosophers on the nature of the mind, sensation, and secondary qualities and that more widely studied figures, notably Condillac's contemporaries, Hume and Reid, were not ultimately any more successful at developing an account of vision that unproblematically avoids the paradox. In passing, I take issue with Nicholas Pastore's account of how Condillac's Treatise on Sensations deals with the visual perception of form (in A Selective History of Theories of Visual Perception) | |||||||||
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Todd Buras (2005). The Nature of Sensations in Reid. History of Philosophy Quarterly 22 (3):221 - 238.
Nicholas Pastore (1967). Condillac's Phenomenological Rejection of Locke and Berkeley. Philosophy and Phenomenological Research 27 (3):429-431.
Hans Aarsleff (2012). Pufendorf and Condillac on Law and Language. Journal of the Philosophy of History 5 (3):308-321.
Lorne Falkenstein, Étienne Bonnot de Condillac. Stanford Encyclopedia of Philosophy.
Jacques Derrida (1980/1987). The Archeology of the Frivolous: Reading Condillac. University of Nebraska Press.
Jean-Claude Pariente (1999). La Construction de la Sensation Dans l' Essai. Revue de Métaphysique Et de Morale 1 (March 1999):3-26.
Giovanni B. Grandi (2008). Reid and Condillac on Sensation and Perception. Southwest Philosophy Review 24 (1):191-200.
Etienne Bonnot de Condillac (2001). Essay on the Origin of Human Knowledge. Cambridge University Press.
Nicholas Pastore (1971). Selective History Of Theories Of Visual Perception, 1650-1950. Oxford University Press.
Etienne Bonnot de Condillac (1930). Condillac's Treatise on the Sensations. London, the Favil Press.
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