Online research in philosophy

What does it mean for emotion to be well-constituted? What distinguishes good feeling from (just) feeling good? Is there such a distinction at all? The answer to these questions becomes clearer if we realize that for an emotion to be all it seems, it must be responsible as well as responsive to what it is about. It may be that good feeling depends on feeling truly if we are to be really moved, moved in the way that avoids the need for constant, fretful replenishment and reinforcement. To be sound, emotions may need to be capable of genuineness, depth, and other kinds of integrity. And that, in turn, may require certain virtues of mind, such as truthfulness, temperateness, and even courage, that are more familiar at the level of action. The governing aim of this book is to demonstrate that there can be problems of a structural kind with the adequacy of emotions and the emotional life.

Reading a book for a review is not the same as reading for pleasure or research. The voice of the ‘critic’—or the critic one would like to be—muffles the voice of the text. Reviewing a book on reading, written by a writer, is as disconcerting as speaking with an old high school English teacher. I take courage from Emerson. In “The Poet,” an essay to which Richard Deming often returns, Emerson offers: Doubt not, O poet, but persist. Say, “It is in me, and shall out.” Stand there, baulked and dumb, stuttering and stammering, hissed and hooted, stand and strive, until, at last, rage draw out of thee that dream-power which every night shows thee is thine own; a power...

Book Information Reading Peirce Reading. By Richard A. Smyth. Rowman and Littlefield. Maryland. 1997. Pp. ix + 327. Hardback, US$64.50. Paperback, US$24.95.

Earlier versions of the four articles which follow were presented at a book panel session, on Rachel Cohon's Hume's Morality: Feeling and Fabrication, at the Hume Society meetings in Halifax, Nova Scotia, in August 2009.I am deeply grateful to Lívia Guimarães and Donald L. M. Baxter for planning this session, and to Elizabeth S. Radcliffe and Don Garrett for serving as my critics. I have been asked to begin by summarizing my book in a few minutes.Hume's Morality: Feeling and Fabrication (Oxford: Oxford University Press, 2008), is primarily an analytical, interpretive work about two main issues: the nature of ethical evaluation, according to Hume, and the artificial virtues. The book has two parts: "Feeling Virtue" ..

But to return to myself, I was thinking about my book in more modest terms, and it would even be a mistake to say that I was thinking of those who would read it as my readers. For they were not, as I saw it, my readers, so much as readers of their own selves, my book being merely one of those magnifying glasses of the sort the optician at Combray used to offer his customers; my book, but a book thanks to which I would be providing them with the means of reading within themselves. With the result that I would not ask them to praise me or to denigrate me, only to tell me if it was right, if the words they were reading in themselves were really the ones I had written (possible divergences in this regard not necessarily always originating, it should be said, in my having been wrong, but sometimes in the fact that the reader’s eyes might not be of a type for which my book was suitable as an aid for self-reading).