Environmental aesthetics and the dynamic object
Ethics and the Environment 11 (1):1-19 (2006)
| Abstract | : In this paper, I lay out a case for why those objects of aesthetic attention which are principally characterized as natural objects should be understood not statically, as existing in merely a three-dimensional fixed state, but as dynamic, as existing in a space-time context, complete with change, movement, and flux. After this, I explain why this is important, how the dynamic nature of natural objects raises a concern for aesthetically evaluating natural objects, and how that concern may be addressed | |||||||||
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Mark Heller (1990). The Ontology of Physical Objects: Four-Dimensional Hunks of Matter. Cambridge University Press.
Emily Brady (2002). Aesthetic Character and Aesthetic Integrity in Environmental Conservation. Environmental Ethics 24 (1):75-91.
Robert Hopkins (2005). Aesthetics, Experience, and Discrimination. Journal of Aesthetics and Art Criticism 63 (2):119–133.
Gabriele Contessa (2008). A Note on the Nomic Possibility of a Dynamic Shift. Erkenntnis 68 (2):187 - 190.
Risto Hilpinen (2007). On the Objects and Interpretants of Signs: Comments on T. L. Short's Peirce's Theory of Signs. Transactions of the Charles S. Peirce Society 43 (4):610 - 618.
Risto Hilpinen (2007). On the Objects and Interpretants of Signs: Comments on T. L. Short's. Transactions of the Charles S. Peirce Society 43 (4).
Jay E. Kantor (1980). The “Interests” of Natural Objects. Environmental Ethics 2 (2):163-171.
Carl R. Hausman (2007). Metaphorical Semeiotic Referents: Dyadic Objects. Transactions of the Charles S. Peirce Society 43 (2):276-287.
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