Formalism and the Consumable Arts
Journal of Philosophical Research 33:127-141 (2008)
| Abstract | In a series of recent papers, Professor Nick Zangwill has returned our attention to the merits of aesthetic formalism. In this paper, I seek to support formalism as an approach to understanding what counts as an aesthetic property by considering how this approach serves to illuminate identity conditions and critical assessment of a subset of allographic works of art I label “consumable”; these are works that exist as token art objects (as contrasted with art works) only within thetemporal duration of their being reproduced and presented to their audiences. I look at three sorts of consumable art forms: food, theater plays, and dance | |||||||||
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Daniel A. Siedell (2011). Art in and Out of Context. Journal of Aesthetic Education 45 (1):118-122.
Nick Zangwill (1999). Feasible Aesthetic Formalism. Noûs 33 (4):610-629.
Nick Zangwill (2000). In Defence of Moderate Aesthetic Formalism. Philosophical Quarterly 50 (201):476-493.
Nick Zangwill (2000). Defusing Anti-Formalist Arguments. British Journal of Aesthetics 40 (3):376-383.
Jenny McMahon (2010). The Classical Trinity and Kant's Aesthetic Formalism. Critical Horizons 11 (3):419-441.
Khosrow Bagheri Noaparast & Mohammad Zoheir Bagheri Noaparast (2011). Aesthetic Formalism, Reactions and Solutions. Wisdom and Philosophy 6 (4):101-112.
Nick Zangwill (2002). Are There Counterexamples to Aesthetic Theories of Art? Journal of Aesthetics and Art Criticism 60 (2):111–118.
Kenneth R. Westphal (1997). ‘Hegel, Formalism, and Robert Turner’s Ceramic Art’. Jahrbuch für Hegelforschung 3:259–283.
Nick Zangwill (2005). In Defence of Extreme Formalism About Inorganic Nature: Reply to Parsons. British Journal of Aesthetics 45 (2):185-191.
Michelle Forrest (2011). Justifying the Arts: The Value of Illuminating Failures. Journal of Philosophy of Education 45 (1):59-73.
David Davies (2009). Works and Performances in the Performing Arts. Philosophy Compass 4 (5):744-755.
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