Sweet use: Genre and performance of the merchant of venice
Philosophy and Literature 33 (2):pp. 280-295 (2009)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,875 |
| External links |
|
| Through your library | Configure |
Christian Beenfeldt (2008). A Wake Up Call—or More Sweet Slumber? A Review of Daniel Dennett's Sweet Dreams: Philosophical Obstacles to a Science of Consciousness. Think 7 (19):85-92.
Agnes Heller (2000). The Absolute Stranger: Shakespeare and the Drama of Failed Assimilation. Critical Horizons 1 (1):147-167.
J. Clark Murray (1899). "The Merchant of Venice" as an Exponent of Industrial Ethics. International Journal of Ethics 9 (3):331-349.
Samuel Ajzenstat (1997). The Ubiquity of Contract in the Merchant of Venice. Philosophy and Literature 21 (2):262-278.
D. J. Snider (1872). The Merchant of Venice (Conclusion). Journal of Speculative Philosophy 6 (4):361 - 375.
L. G. Crocker (1982). The Merchant of Venice and Christian Conscience. Diogenes 30 (118):77-102.
Monthly downloads |
Added to index2009-09-26Total downloads9 ( #115,463 of 556,837 )Recent downloads (6 months)0How can I increase my downloads? |

