David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Transactions of the Charles S. Peirce Society 35 (3):527 - 550 (1999)
[Abstract drawn from the later development of these ideas in ch. 6, "The Moral Artist," in John Dewey and Moral Imagination (Indiana University Press, 2003).] It is a familiar thesis that art affects moral imagination. But as a metaphor or model for moral experience, artistic production and enjoyment have been overlooked. This is no small oversight, not because artists are more saintly than the rest of us, but because seeing imagination so blatantly manifested gives us new eyes with which to see what can be made of imagination in everyday life. Artistic creation offers a rich model for understanding the sort of social imagination that is essential to moral deliberation. The "moral" of the arts is that everyday moral decisions can be as richly consummated as artistic productions. The distance is narrowed between this ideal and actual deliberations to the degree that a culture focuses beyond sedimented moral criteria to education of aesthetic virtues of sensitivity, perceptiveness, discernment, creativity, expressiveness, courage, foresight, communicativeness, and experimental intelligence.
|Keywords||Moral Imagination John Dewey Pragmatist ethics Metaphor Aesthetics Morality Art Philosophy and Literature Ethics Moral Education|
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