Graduate studies at Western
European Journal of Philosophy 21 (2) (2012)
|Abstract||Adorno's saying that ‘art is the promise of happiness’ radiates into every corner of his work from his aesthetic theory to his critical theory of society. However, it is much misunderstood. This can be seen from the standard answer to the question: in virtue of what formal features do art works, according to Adorno, promise happiness? The standard answer to this question suggests that the aesthetic harmony occasioned by the organic wholeness of the form realized in the artwork contrasts with and throws into relief the antagonistic nature of society. The trouble is that this answer is flatly incompatible with Adorno's historicism and central components of his aesthetic modernism, including his critique of classicism, and his negativism. I propose a re-interpretation of Adorno's thesis that art is the promise of happiness that overcomes these difficulties|
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|Through your library||Configure|
Similar books and articles
Karen S. Feldman (2011). Not Dialectical Enough: On Benjamin, Adorno, and Autonomous Critique. Philosophy and Rhetoric 44 (4):336-362.
Bed P. Paudyal (2009). Mimesis in Adorno's Aesthetic Theory. Journal of Philosophy: A Cross-Disciplinary Inquiry 4 (8):1-10.
Tom Huhn (1996). The Movement of Mimesis: Heidegger's 'Origin of the Work of Art' in Relation to Adorno and Lyotard. Philosophy and Social Criticism 22 (4):45-69.
M. W. Skees (2011). Kant, Adorno and the Work of Art. Philosophy and Social Criticism 37 (8):915-933.
Eric S. Nelson (2011). Revisiting the Dialectic of Environment: Nature as Ideology and Ethics in Adorno and the Frankfurt School. Telos 2011 (155):105-126.
Tom Huhn (ed.) (2004). The Cambridge Companion to Adorno. Cambridge University Press.
Yvonne Sherratt (2002). Adorno's Positive Dialectic. Cambridge University Press.
J. M. Bernstein (2001). Adorno: Disenchantment and Ethics. Cambridge University Press.
Robert W. Witkin (2000). Why Did Adorno "Hate" Jazz? Sociological Theory 18 (1):145-170.
Donovan Miyasaki (2002). The Confusion of Marxian and Freudian Fetishism in Adorno and Benjamin. Philosophy Today 46 (4):429-43.
G. I. Demiryol (2012). Film as a Mobilizing Agent? Adorno and Benjamin on Aesthetic Experience. Philosophy and Social Criticism 38 (9):939-954.
Maggie O'Neill (ed.) (1999). Adorno, Culture, and Feminism. Sage Publications.
Babette Babich (2011). Adorno on Nihilism and Modern Science, Animals, and Jews. Symposium 15 (1):110-145.
Added to index2012-06-08
Total downloads4 ( #189,291 of 739,353 )
Recent downloads (6 months)1 ( #61,680 of 739,353 )
How can I increase my downloads?