Online research in philosophy

Ontology tends to be held in deep suspicion by many currently engaged in the study of technology. The aim of this paper is to suggest an ontology of technology that will be both acceptable to ontology’s critics and useful for those engaged with technology. By drawing upon recent developments in social ontology and extending these into the technological realm it is possible to sustain a conception of technology that is not only irreducibly social but able to give due weight to those features that distinguish technical objects from other artefacts. These distinctions, however, require talk of different kinds of causal powers and different types of activity aimed at harnessing such powers. Such discussions are largely absent in recent technological debates, but turn out to be significant both for ongoing technology research and for the recasting of some more traditional debates within the philosophy of technology.

The book highlights the concept of ontology, relationship between language and ontology, the distinction between ontology and reality, the role of linguistic ...

In a recent pair of articles, Aaron Ridley and Andrew Kania have debated the merits of the study of musical ontology. Ridley contends that the study of musical ontology is orthogonal to more pressing concerns over the value of music. Kania rejects this, arguing that a theory of the value of music must begin with an understanding of the ontology of music. In this essay, I will argue that, despite Kania's rejections, Ridley's criticism exposes a false methodological assumption that needs to be addressed—a poorly understood adherence to the priority of ontology, which is the belief that the resolution of ontological disputes must precede our understanding of the evaluation of musical performances. I will argue that there is a central claim at the heart of Ridley's criticisms that must be appreciated—that standard accounts of the ontology of music make unwarranted assumptions about the rigidity of the identification of musical performances—and yet Kania is right to claim that the resolution of some ontological questions will play some role in our evaluation of musical performances. I will argue that part of the disagreement between Ridley and Kania can be resolved by accepting a greatly weakened version of the priority of ontology.

Within ontology new theories are extremely rare. Hacking bravely claims to have one: "historical ontology" or "dynamic nominalism." Regrettably, he uses "nominalism" idiosyncratically, without explaining it or its qualifier. He does say what historical ontology is: it is "the presentation of the history of ontology in context." This idea is laudable, as it invites presenting idealism as once attractive but no longer so (due to changes in perception theory, for example). But this idea is a proposal, not a theory, muchless an ontological theory, as it does not say what things are made of. Also, Hacking's details are often misleading. Thus, he falsely hints that he respects Wittgenstein and that he agrees with him. Considered as a study of ontology sans its (often amusing) incidental material, it appears surprisingly thin and repetitious. The study is either excessively opaque or quite clear but stale: the choice between these options is open. Key Words: Ian Hacking • Michel Foucault • ontology • contextualism.

Introduction I. The Aim: Defining Whitehead's Categories of Existence Ontology is the study of being or beings. But what is being? Which are the beings? ...

The hermeneutical ontology proposed in this book steers away from the rocks of realism and anti-realism.

Ontology as a branch of philosophy is the science of what is, of the kinds and structures of objects, properties, events, processes and relations in every area of reality. ‘Ontology’ is often used by philosophers as a synonym of ‘metaphysics’ (a label meaning literally: ‘what comes after the Physics’), a term used by early students of Aristotle to refer to what Aristotle himself called ‘first philosophy’. Sometimes ‘ontology’ is used in a broader sense, to refer to the study of what might exist; ‘metaphysics’ is then used for the study of which of the various alternative possible ontologies is in fact true of reality. (Ingarden 1964) The term ‘ontology’ (or ontologia) was coined in 1613, independently, by two philosophers, Rudolf Göckel (Goclenius), in his Lexicon philosophicum and Jacob Lorhard (Lorhardus), in his Theatrum philosophicum. Its first occurrence in English as recorded by the OED appears in Bailey’s dictionary of 1721, which defines ontology as ‘an Account of being in the Abstract’.